Xerjoff Soprano

Delina Exclusif shares Soprano's fruity rose core with litchi and bergamot, but it softens the leather and oud with sweet vanilla and amber. The rose here is more prominent and the overall effect is creamier and more floral, making it a slightly more feminine take on the opulent fruity rose theme. It still feels rich and dark, just less animalic.

Rose Noir echoes Soprano's rose and fruity red berries, but it replaces the leather and oud with a mossy, musky base and a fresh spicy kick from cardamom and grapefruit. The result is a greener, earthier rose that feels more unisex and less sweet. It retains the dark floral character but with a crisp, almost damp forest floor quality.

L'Eau takes the fruity rose concept from Soprano and lightens it dramatically with magnolia and grapefruit, then grounds it with cedar and oakmoss. There is no leather or oud, so the scent is much fresher and more casual. It is a daytime rose that shares the litchi note but trades intensity for easygoing brightness.

More Than Words amplifies the oud and incense from Soprano's base while adding a fruity opening and a labdanum sweetness. The rose is present but plays a supporting role to the smoky, resinous notes. This scent is darker and more intense, with a longer lasting sillage, making it a bolder choice for those who want the leather oud aspect pushed forward.

Grand Master shares Soprano's fruity opening with black currant and pomegranate, then introduces a leather accord paired with coffee and wildflower. The rose is less dominant, replaced by a richer, more gourmand leather blend. It feels more unisex and daring, with a warm spicy base that adds complexity without the oud.

Carmina mirrors Soprano's fruity floral start with black cherry and pink pepper, then moves into a darker rose and peony heart. The base of frankincense and myrrh provides a resinous warmth similar to Soprano's leather and oud, but with a more incense focused, meditative quality. It is equally opulent but leans more aromatic and less animalic.

La Capitale takes the fruity rose and leather framework of Soprano and sweetens it with caramel, peach, and strawberry. The rose is infused with saffron and ginger, creating a spicy gourmand twist. The leather is softer, and the overall effect is more playful and candy like, while still retaining the rich, amber warmth that makes Soprano so compelling.

A Song for the Rose strips back Soprano's complexity to focus on a pure Bulgarian rose with saffron and musk. There is no fruit or leather, just a spicy, woody rose that feels more intimate and straightforward. It shares the rose and saffron warmth but in a simpler, more linear composition that works for both day and night.

Love in White for Summer takes the bergamot and rose opening of Soprano and builds a much lighter, airier floral with magnolia, jasmine, and rice. The base is a clean ambergris and sandalwood, completely lacking the leather and oud. It is a fresh, summery counterpart that retains only the fruity floral brightness without the darkness.

This scent shares Soprano's floral muskiness with rose and osmanthus, but it replaces the fruity litchi and leather with a powdery, woody base of patchouli and vetiver. The musk is much more pronounced, creating a soft, skin like aura. It feels more intimate and less dramatic, perfect for those who want a sophisticated floral with depth but no overt leather.

Rose N'Roses captures the fresh, fruity rose aspect of Soprano with bergamot and mandarin, but it eliminates the darker leather and oud entirely. The heart is a pure duo of Damask and Grasse roses, finished with white musk. It is a straightforward, bright rose scent that feels like a daytime, casual version of Soprano's more complex personality.

Very Good Girl echoes Soprano's fruity litchi and red currant top notes, then pairs them with a rose and vanilla heart. The base is woody and sweet, lacking leather and oud entirely. It is a more youthful, sweet interpretation that feels playful and vibrant, perfect for parties and evenings when you want the fruitiness to shine without the darkness.